Rabu, 04 April 2012
Translete Indonesia:
Translete Japan..
Minggu, 12 Februari 2012
Tacica - New Song Lyric
Translete Indonesia:
membawakan melodi yang berbelit,
membawakan melodi yang berbelit,
adalah hal indah
tak masalah jika tak ada hasil,
namun lagu-lagu tetap mengalun di hatiku,
berapa banyak hujan badai yang telah ku lalui,
tuk jadi sesuatu yang indah?
tak masalah jika janji tak terpenuhi,
namun lagu tetap mengalun dihatiku..
#pintu mana yang harus aku ketuk?
ke arah mana aku harus pergi setelah memasukinya..
aku tetap menunggu seseorang,
karena aku tidak bisa pulang sendirian,
##siapakah yang paling kau rindukan?
lebih dan lebih banyak lagi orang, yang menjadi teman baikku,
karena itu aku ingin menjadi lebih kuat, tapi'
kita tak mengerti kisah ini,
jadi kita tidak dapat memaksakan, untuk menyelesaikan ini,
sebagaimana kita semua mengikuti,
jalan kita sendiri untuk menjadi lebih kuat,
=================================================
Translete B.Jepang:
ibitsu namerode idete kita
Ai sarerubeki iki mono da
Seika wa agerare nakutemo
Kokoro ga utatte irukara
Ah, doredake tsuyoi ame koete
Aisarerubeki iki mono ka?
Yakusoku ga mamorenakutemo
Kokoro ga utatte iru kedo
Dono doa nokku shite aketara ii?
Aketara doko e mukattara ii?
Hitorija kaerenai kara
Dare ka wo matteita dake?
Kimi ga ima ichiban aitai hito wa dare?
Kokoro no naka de dake hanaseru hito no kasu wa fuete iku
Dakara tsuyoku naritakatta tada
Bokura mada yomitarinai monogatari
Muriyari owarenai koto wakatte te
Dare mo mina jibun no mama
Tsuyoku naritakatta kara
Read more...
Rabu, 21 Desember 2011
TUTORIAL MENDOWNLOAD VIDEO DARI YOUTUBE with IDM
CARA
LENGKAP MENGGUNAKAN & MENGOPRASIKAN
“IDM (Internet Download Manager)”
“IDM (Internet Download Manager)”
Langkah-langkah sebagai berikut :
langkah.01
langkah.02
setalah di download lalu cari file'a dmn.. biasanya ad di my document>>download/unduhan.lanjut >> klik kanan “extract here” lalu…
2. install “Internet Download Manager IDM 6.5
Full” Next”” aja trus Finish, :D
3. Lalu buka IDM’a di menu start >>
all program >> internet download manager >> Option >> File Type’
nah jika blm ada format FLV’a.. tinggal diketik manual aj “FLV” hhhe
seperti gambar dibawah..
seperti gambar dibawah..
4. Kemudian biasanya Mozilla akan terinstall otomatis
“add ons” IDM, maka close saja.. >> silahkan restart jg smw MOZILLA FIREFOX
yang sedang beroprasi sobat’ muv" aj y nh.. hhe
5. Setelah mozilla di restart & dibuka
kembali, buka “video youtube/link video” yang ingin di download misalnya http://www.youtube.com/watch?v=B-m2tKfhDt8
Sobat akan melihat tool IDM dikanan atas layar youtube
6. Klik “Download this video” tersebut
dan silahkan pilih Start Download untuk memulai download video’
7. Setelah selesai download jika ingin
langsung mengcopy’a pilih “open folder” lalu copaste dh..
8. kalau mau anda jg bisa mengconvert’a
menjadi apa saja..3gp-mp4-avi/dijadikan mp3.. hhe
Dengan software FORMAT FACTORY. Bisa
di download di link ini
“ http://www.4shared.com/get/W6_-R0Ef/Format_Factory_250_portable.html “
“ http://www.4shared.com/get/W6_-R0Ef/Format_Factory_250_portable.html “
Good Luck... ^_^
Read more...
Jumat, 25 November 2011
SEA GAMES XXVI (Pencak Silat)
ASAD
Menyumbang Satu Medali Emas Lewat Kelas TGR
Jakarta - Akhirnya perhelatan Pencak Silat SEA GAMES XXVI kemarin (15/11/11) benar-benar menjadi milik Timnas Indonesia yang berhasil menyapu bersih medali emas. Timnas Pencak Silat Indonesia asal PS Persinas ASAD yang diwakili oleh Zakki Imadudin, Exa Purbianto dan Abdul Muqit Iryat yang turun di kelas TGR dengan nilai 462, catatan waktu 03.00 menit, akhirnya berhasil merebut gelar Juara I.
Tidak hanya para pengurus dan pelatih dari PS Persinas ASAD yang datang untuk meramaikan, menonton, dan mendukung ketiga atlet tersebut yang berlaga di event SEA GAMES kali ini. Hadir pula Ketua Umum PB Persinas ASAD Bapak
Brigjen TNI
(Purn) H. Agus Susarso hadir pula di venue Pencak Silat, termasuk Bapak Ir. H.
Teddy Suratmaji yang juga selaku Sekjen Persilat (Persekutuan Silat Antar Bangsa).
Diantara para tamu kehormatan terlihat Menpora Andi Mallarangeng yang juga
turut mendukung atlet pencak silat Indonesia. "Kembalikan kejayaan Pencak
Silat kepada Bangsa Indonesia", katanya dalam salah satu sesi wawancara.
Selamat buat para pesilat yang tidak hanya mengharumkan nama bangsa, Timnas Pencak Silat Indonesia, tetapi juga turut mengharumkan PS Persinas ASAD secara khusus. Tetap Semangat! © 2011
Selamat buat para pesilat yang tidak hanya mengharumkan nama bangsa, Timnas Pencak Silat Indonesia, tetapi juga turut mengharumkan PS Persinas ASAD secara khusus. Tetap Semangat! © 2011
Senin, 21 November 2011
PERGURUAN SILAT NASIONAL (PERSINAS)
Tingkat I / Sabuk
Putih / Siswa I
Warna putih pada sabuk
mempunyai makna lembaran putih dan bersih dengan tulus ikhlas, ridho dan suci.
Bagi seorang calon pesilat untuk diberikan pengetahuan, ketrampilan dan sikap
dasar tentang ilmu beladiri.
Tingkat II / Sabuk
Hijau / Siswa II
Warna hijau pada sabuk
memberi makna kedamaian hati setalah diberikan pelajaran dasar tentang
pengetahuan, ketrampilan dan sikap sehingga memberi keteduhan hati dan bangga
dengan ilmu yang dimilikinya.
Tingkat III / Sabuk
Hijau Strip Kuning / Asisten Muda
Warna hijau yang
memberikan kedamaian, kebahagiaan dan kesejahteraan serta dipersiapkan untuk
menjadi pesilat yang berkualitas dan berbudi pekerti luhur yang dilambangkan
strip kuning pada sabuk.
Tingkat IV / Sabuk
Kuning / Asisten Madya
Warna kuning
melambangkan keluhuran budi pekerti (akhlaqul karimah) dan keagungan jiwa serta
berkualitas, sehingga pesilat makin banyak ilmunya makin berbudi pekerti yang
luhur.
Tingkat V / Sabuk
Kuning Strip Biru / Asisten Utama
Dengan budi pekerti
yang luhur dan keagungan jiwa disertai cita-cita yang luhur, semangat belajar
dan tabah dalam menghadapi tantangan yang dilambangkan dengan strip biru pada
sabuk.
Tingkat VI / Sabuk
Biru / Pelatih Muda
Warna biru
melambangkan semangat belajar yang tinggi, dengan percaya diri serta dapat menjaga
martabat dan mampu menguasai serta mengendalikan diri walaupun banyak
tantangan, rintangan dan halangan.
Tingkat VII / Sabuk
Biru Strip Coklat / Pelatih Madya
Dengan semangat dan
cita-cita yang tinggi menjadikan percaya diri, selalu menegakkan kebenaran,
kejujuran dan menghormati sesama insan.
Tingkat VIII / Sabuk
Coklat / Pelatih Utama
Warna coklat tua
melambangkan sikap damai, bersahabat, selalu rendah hati dan senantiasa
menegakkan kebenaran, kejujuran dan keadilan.
Tingkat IX / Sabuk
Coklat Bintang Merah 1 / Guru Muda
Bersikap damai dan
bersahabat, ramah dan sopan, senantiasa menegakkan kebenaran.
Tingkat X / Sabuk
Coklat Bintang Merah 2 / Guru Madya
Senantiasa
mengupayakan perdamaian dan persahabatan dengan sesame. Keramahan dan kesopanan
ditingkatkan, dengan keberanian yang tinggi membela kebenaran.
Tingkat XI / Sabuk
Merah / Guru Utama
Merah melambangkan
keberanian dalam membela kebenaran, berjiwa besar, mawas diri, pemaaf dan
mengutamakan kepentingan umum dan dapat menjadi panutan.
Tingkat XII / Sabuk
Merah Garis Tepi Emas / Guru Besar
Berjiwa besar sebagai pendekar, bisa meramut dan membina serta
sebagai pengayom.
Kamis, 17 November 2011
TUTORIAL ADOBE PHOTOSHOP
MEMBUAT EFEK GLOW
Step 1:
As with pretty much every tutorial I’ve ever written, we begin with a
radial gradient. This one is pretty harsh and goes from a reddish brown
color to black. Here are the exact color codes:
Foreground color – #922f00
Background color – #000000
Background color – #000000
Step 2:
In this tutorial, we actually need a pretty intense center, so what
we’ll do is duplicate the layer we just made and set the one above to a
blending mode of Color Dodge. There are a few types of blending modes,
darkening ones, lightening ones, colorizing ones and inverting ones.
Color Dodge is probably the strongest of the lightening ones. As you can
see in the screenshot, it produces a pretty full-on center.
Step 3:
Now in our glow effect, it helps to have a nice textured background.
So we are going to create a sort of smoky haze. To do this, create a new
layer, then make sure you have white, #ffffff, and black, #000000,
selected as your background and foreground colors.
Then go to Filter > Render > Clouds. This will give you the same random cloud pattern as above.
Step 4:
Now set the opacity of your layer to Overlay and 30% transparency. In
some instances this would be enough, but for our needs we want it even
smokier looking!
So go to Filter > Sketch > Chrome and use default settings of 4
and 7 for detail and smoothness respectively. Actually you can probably
mess around with those if you want, but the defaults seem to be fine.
When you’re done, the result should look a lot smokier (once its
overlayed at 30% transparency that is). You can see the result in the
background of the next screenshot.
Step 5:
Now before we can start making glows, we need to have something to glow.
Here’s where we break out the pen tool. If you have used the pen tool
much I suggest playing around with it a little. There are some tricky
things you can do with shortcuts, but for this tutorial you don’t need
those.
In fact all we want to achieve are some nice curves. Fortunately this
isn’t too hard. I find the trick is not to use too many points. Instead
rely on the Pen Tool’s natural curving and drag the mouse out for each
point so you get a big angle. In this S-curve shown above, I’ve only
used three points, the starting point, the end point and one in between
to give it the bend.
Step 6:
Once you have a nice curve, create a new layer. Then click on the
Paintbrush Tool (B) and choose a very thin, hard brush. As you know,
soft brushes are the blurry ones and hard brushes are more solid. In
this case I suggest using a thickness of 3.
Note that you can have any color selected as your brush color because we’ll go over it with a layer style shortly.
Step 7:
Now switch back to the Pen Tool. You must switch tools in order to do this next bit.
Then right-click and select Stroke Path. A little dialog box will
appear as in the screenshot. Choose Brush and make sure there is a tick
next to Simulate Pressure. This is important as it will give your curve
tapered ends which will make it rock!
Next right click again and select Delete Path.
Step 8:
You should now have something like the above. Just a thin, cool swishy thing.
Step 9:
Now we add some glows. The easiest way to make our glows is to use
layer styles. And the best way to tell you what layer styles to use is
to tell you to download the sample Photoshop PSD from the bottom of this
page and then open it up and look through them there.
In a nutshell, I’ve added two sets of glows. To do this I first use
Outer Glow and then because I want a second glow, I change the Drop
Shadow settings so that it becomes a glow (you can do this by reducing
the Distance and changing the blend mode to something like Color Dodge)
Oh and also I’ve used a Color Overlay to make the item white so that its like the center of an intense glow.
Step 10:
So now you have the same line but with a cool glow coming off it.
The beauty of using a layer style is that you can copy and paste it to
other layers. To do this you just right-click the layer and select Copy
Layer Style then create a new layer and right-click and choose Paste
Layer Style.
Step 11:
So now repeat the same process a couple of times to make more squiggly lines.
In this instance, I made one a little thicker by changing the paint
brush size before I did the Stroke Path bit of the process. I also made a
third line and erased part of it and sorta made it join the other two
to look like a cool triangular shape.
Step 12:
Here I’ve added some text in and applied the same layer style to the text layers.
It’s important to pay lots of care and attention to your text. When
you’re first starting out, use simple fonts and play with spacing
between letters, words and sizes. You can achieve a lot with just some
small tricks. Here I’ve contrasted the three words by making Glow a lot larger and in regular casing, then made Advanced and FX much smaller, with greater space between the letters and all caps.
You can control spacing with text using the Character window. If it
isn’t already open go to Window > Character and it should appear.
Mess about with the different settings until you learn what each
controls.
Step 13:
Now we add some particles. To do this, create a new layer then
select a tiny paint brush – size 3 – and just paint some dots on. It
helps if they are clustered towards the center of the glow so that it
looks like they are emanating from there.
You can make some of the central ones larger by doubling over on them with a second paint brush dab.
Then paste our Glow layer style on to that layer too!
Step 14:
Now that’s looking pretty cool, but it will look even cooler if we
give it some subtle coloring instead of this super gaudy red.
So create a new layer, and using a radial gradient, draw a blue to white gradient as shown.
Step 15:
Then set that layer to a blending mode of Color and change the opacity to 50%.
You’ll see that it turns the image kind of bluish. I think that’s
looking much cooler already, but just to go that extra step I also
created a couple of extra layers, one with some faint yellow and one
with faint purple. You can see them in the screenshot above.
I set each layer to blending mode of Color and thin opacities so that they all fade together.
Step 16:
And there you have it: advanced glow effects with a cool color blend
and subtle smoky background combined make for a pretty great effect.
Just remember to experiment with settings and try applying the glow
to different things to see how it turns out. And try different color
combinations, some surprising combinations turn out really beautiful.
Good luck!
selamat mencoba.....
^_^
TUTORIAL ADOBE PHOTOSHOP
MEMBUAT ROBOT KATAK
in this tutorial, I'm going to show you some of the steps I took in making this

LANGKAH 1
There are a number of tricks and techniques people use when making an image of this nature, but I am going to show how I created this image using only the very basic tools. The same principles and process can be used on any animals, even humans, but I'm going to use a frog for my example because why not?
The first thing I did was gathered a few source images.

Finding a great subject source image to start with is one of the most important stages in the whole process. The reason I chose this particular image of a frog was that it was crisp, clean image with an interesting enough perspective, yet still be instantly recognizable as a frog even after we cover him in mechanical parts.
Now that we have our main subject and a few mechanical pieces ready, let's begin mechanicalizing him. image
LANGKAH 1
There are a number of tricks and techniques people use when making an image of this nature, but I am going to show how I created this image using only the very basic tools. The same principles and process can be used on any animals, even humans, but I'm going to use a frog for my example because why not?
The first thing I did was gathered a few source images.
Finding a great subject source image to start with is one of the most important stages in the whole process. The reason I chose this particular image of a frog was that it was crisp, clean image with an interesting enough perspective, yet still be instantly recognizable as a frog even after we cover him in mechanical parts.
Now that we have our main subject and a few mechanical pieces ready, let's begin mechanicalizing him. image
LANGKAH 2
I needed to extract the usable parts from my
mechanical sources. Using the Lasso Tool, I roughly selected areas from
my mechanical sources I figured I could use, and saved these parts into a
new document for easy access later.

I tried to select segments of varying shapes, sizes, and texture in order to create a nice library of chrome and mechanical sources for our image
I tried to select segments of varying shapes, sizes, and texture in order to create a nice library of chrome and mechanical sources for our image
LANGKAH 3
The first thing I needed to do was to assemble
the basic structure of the figure. Taking segments one by one, I started
the assembly process of the actual robot figure. After pasting a
segment of chrome onto our frog, we need to shape it. Using the
Transform - Distort Tool, I transformed and skewed the segment in order
to fit the contours of the frog's head. Making sure to always follow the
curves and contours of the frog in order to help keep the familiar
recognizable shape of the original frog.

LANGKAH 4
Now we need to cover more space using the same basic idea. By selecting basic segments from our chrome sources and free transforming them to fit the shape of our frog. Select segments of your mechanical parts that best resemble the area of the frog you're trying to cover. It may help you to start by applying the pieces furthest most from the camera first, then overlap pieces as you come closer and closer to the camera. At this point i'm not worried about covering the background or overlapping any of the original frog, as we can go back and add them in again later. For now I just want to lay down the basic structure of the figure.

LANGKAH 5
LANGKAH 4
Now we need to cover more space using the same basic idea. By selecting basic segments from our chrome sources and free transforming them to fit the shape of our frog. Select segments of your mechanical parts that best resemble the area of the frog you're trying to cover. It may help you to start by applying the pieces furthest most from the camera first, then overlap pieces as you come closer and closer to the camera. At this point i'm not worried about covering the background or overlapping any of the original frog, as we can go back and add them in again later. For now I just want to lay down the basic structure of the figure.
LANGKAH 5
In order to create the mouth area, I needed to do
something slightly different. I found a chrome pipe area on one of our
chrome source pictures. I decided to use this segment for the mouth, as
it was a nice long piece of chrome that I could transform into the shape
of the mouth. I copied and pasted this segment onto our frog and Free
Transformed it roughly in place until I was happy enough with the
positioning of it. I also added this segment onto the head of our figure
to create a median point on the figure.

LANGKAH 6
Next, all I had to do was fine tune and clean up the pieces to sit right on our figure. I did this simply by using the Smudge Tool set at 70-80% in strength, and about 7-10 pixels wide. Then I proceeded to smudge and smooth out the surfaces of the chrome pipe and mold them to fit the curves and contours of the frog's original mouth.

LANGKAH 7
LANGKAH 6
Next, all I had to do was fine tune and clean up the pieces to sit right on our figure. I did this simply by using the Smudge Tool set at 70-80% in strength, and about 7-10 pixels wide. Then I proceeded to smudge and smooth out the surfaces of the chrome pipe and mold them to fit the curves and contours of the frog's original mouth.
LANGKAH 7
When I'm satisfied with the positioning of all
the mechanical pieces, the next step was to apply some highlights and
shadows to separate the segments a little better. I started with the
shadows. Using the Brush Tool set at 100% opacity, I painted in the
black shadows on a new layer directly underneath each chrome segment
layer. Next, I took the Smudge Tool set at 60-70% pressure and smoothed
out the shadows. Following the contours of the underlying pieces, I
shaped the shadows. The shadows should give our figure more depth and
help to isolate each segment a little better

LANGKAH 8
Next, in order to further accentuate the shadows, we're going to add some simple highlights. Again by using the Brush Tool (this time set to white) set at 100% opacity, I painted in some basic highlights on the edges and areas I figured could use a little further bump in contrast on a new layer directly above each piece of our chrome layers.

Then just like the shadows, I then took the Smudge Tool set at 60-70% pressure to smooth and shape out our highlights to fit the curves of our figure.
LANGKAH 8
Next, in order to further accentuate the shadows, we're going to add some simple highlights. Again by using the Brush Tool (this time set to white) set at 100% opacity, I painted in some basic highlights on the edges and areas I figured could use a little further bump in contrast on a new layer directly above each piece of our chrome layers.
Then just like the shadows, I then took the Smudge Tool set at 60-70% pressure to smooth and shape out our highlights to fit the curves of our figure.
LANGKAH 9
You may still notice some remnants of the
original frog showing on the edges of the figure. This can be easily
cleaned up with a little work using the Clone Tool. At this point, it'll
be a good idea to hide all our layers except for our background layer.
Create a new layer directly above your original frog image. With the
Clone Tool selected, make sure you have the "select all layers" box
selected. Hold the "alt" key and select an arbitrary area of the
background to copy. Then it's all a matter of cloning the background in.

LANGKAH 10
LANGKAH 10
In order to make the image look even more
interesting, I decided to create the illusion of the frog's skin being
pulled away to reveal the robot. On a new layer above our background, I
roughly painted the insides of the opened skin. Using the Brush Tool set
at 100% opacity set to a brown, skin-toned color, I mapped out the area
our skin would cover

LANGKAH 11
Next, I wanted to give the skin some shadow. Selecting a darker shade of our original skin color, I roughly painted in the shadows. Then, using the Smudge Tool set at 60-70% pressure, I smoothed out the shadows just (as in Step 07) until I was happy with the general placement and shape of the skin

LANGKAH 12
LANGKAH 11
Next, I wanted to give the skin some shadow. Selecting a darker shade of our original skin color, I roughly painted in the shadows. Then, using the Smudge Tool set at 60-70% pressure, I smoothed out the shadows just (as in Step 07) until I was happy with the general placement and shape of the skin
LANGKAH 12
I then wanted to add some of the original skin
from the frog to form the outside of the skin as well. I opened the
original frog image in a new File for easy access. Using the Lasso Tool,
I selected edges of the frog's original skin to copy. I copied this
selection and pasted it on to our robofrog document. Using the
Transfrom-Distort Tool, I transformed the skin to follow the direction
of the skin "pull". And like we did in our earlier steps, I proceeded to
add slight shadows and highlights to the skin to further accentuate the
"pull" effect.

LANGKAH 13
LANGKAH 13
For the skin flaps on the arms, I did something
different. First I selected the original arm and copied it onto a new
layer. Then using the Smudge Tool set at 80-90% pressure, I smudged and
drew in the direction of the skin and folds of the skin. Then, using
darker and lighter shades from the original skin, I drew and smudged in
shadows and highlights again as in the previous steps

LANGKAH 14
When I was happy with the look of the skin, the next step was to go back and return some of the orginal rough skin texture from the original skin. I did this by copying an area of the original frog skin and pasting it on a new layer directly on top of our Arm Skin layer.

I then set this layer with the "overlay" Blend mode. This gives our skin the rough texture. I then erased the edges of the overlay skin layer so as it covers only the necessary areas
LANGKAH 15
LANGKAH 14
When I was happy with the look of the skin, the next step was to go back and return some of the orginal rough skin texture from the original skin. I did this by copying an area of the original frog skin and pasting it on a new layer directly on top of our Arm Skin layer.
I then set this layer with the "overlay" Blend mode. This gives our skin the rough texture. I then erased the edges of the overlay skin layer so as it covers only the necessary areas
LANGKAH 15
Next, I wanted to make the chrome look even more
like chrome. By adding reflections from surrounding elements, I hope to
add some more realism to the chrome. I did this by copying layers of
surrounding elements and forming them to create an illusion of
reflection.

For example, as in the image above, I started by Duplicating the layer with the metal valve. I then set the opacity of this layer to 50% then using the Transform-Distort Tool, I shaped and formed the element to fit onto the shoulder chrome segment. I used this same method for other surrounding areas like the leaf and areas where the skin overlaps a chrome segment.
LANGKAH 16
For example, as in the image above, I started by Duplicating the layer with the metal valve. I then set the opacity of this layer to 50% then using the Transform-Distort Tool, I shaped and formed the element to fit onto the shoulder chrome segment. I used this same method for other surrounding areas like the leaf and areas where the skin overlaps a chrome segment.
LANGKAH 16
Finally, I needed something to hold up the frog's
skin. I decided to use a couple of dragonflies for this effect. After
finding a good image of a dragonfly, it was then all a matter of
extracting him from the original file and pasting him onto a new layer
in our working document.

I added the Motion Blue filter to the winged areas of the dragonflies to simulate motion.
TARAMMM

And voila! Our image is complete! A robotic frog created using only the very basic tools of photoshop!
SEMOGA BERMANFAAT
^_^
Read more...
I added the Motion Blue filter to the winged areas of the dragonflies to simulate motion.
TARAMMM
And voila! Our image is complete! A robotic frog created using only the very basic tools of photoshop!
SEMOGA BERMANFAAT
^_^
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